'You are constantly trying to get things made. You keep meeting people, knocking on their door. And time goes by.'
'In our Indian content, you always see the mother is presented a bit differently.' 'But in this show, the mother is the one who's most glamorous and she is the bombshell of the show.'
Is this a shot at patriarchy under the classic tale of mistaken identities? Or a humorous coming-of-age feminist tale as seen in last year's Barbie, wonders Mayur Sanap.
'You have to fight your own battles and I fought mine.'
Steep yourself in the atmosphere of some of most revered Hindu temples in India.
'Ranbir helped me a lot with emotions and dialogues. As an actor, he makes us very secure.' 'He guides us with his experiences. He makes the work really, really easy and wonderful for his co-stars.'
The depiction of screechy jingoism within India-Pakistan dynamic is still a wet dream for Bollywood film-makers, observes Mayur Sanap.
Guntu Kaaram doesn't deliver on its basic promise: Entertainment, sighs Mayur Sanap.
With clean blue waters and golden-white sands, these super beaches have a magic that is hard to keep away from.
India offers travel adventures no other country can offer.
'It is not easy to pull off a seven-part show because it is almost like making four films at once.'
'She is a very thoughtful actor.' 'She is in the industry not only because she is beautiful, but also because she is sensible.'
Safed is a lame attempt at social commentary, with terribly dull and thoughtless direction, observes Mayur Sanap.
'Any flight I take, the crew write personal notes to me, saying how good I was as Soudamini or Seema or Bulbul.'
'Suvinder Vicky in Kohrra. Manoj Bajpayee in Joram. Mohammed Zeeshan Ayyub in Joram and Scoop. Gagan Dev Riar in Scam 2003. Sukant Goel in Kaala Paani.' 'The number of awards will not be enough for the kind of work that has happened this year.'
The play-off between Prabhas and Prithviraj is the high-octane fuel that lends Salaar momentum, observes Mayur Sanap.
Dunki doesn't have any repeat value unlike other Hirani films. And that perhaps is saying a lot, notes Mayur Sanap.
Merry Christmas brims with Sriram Raghavan's signature style and ample cheeky look-what-I-did-there moments.
'Rapists do have families. I wanted to see how a father or mother would deal with it.' 'They go through shame as well and get discriminated from the rest of the village.' 'Why don't we show it that way?'
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